For any performer, nothing is more annoying than being there onstage all ready and hyped up to play and then getting nothing but loud shrieks of feedback from your microphone. Well Blue’s Encore series of microphones is about to change the way microphones perform, on and off stage.
Visit the newest Blue Microphone, the Blue Encore 100.
Blue microphones have always been known for their unique look and its distinctive ability to capture a wide range of sounds. Through the years, Blue has stayed afloat the many competitions even when they crossed other product lines like the Snowball and the Snowflake. But nobody really expected for Blue to take another bold step, until just recently.
Blue now takes the live stage with the birth of its new Encore Series of hand-held microphones. The Encore series stand out from rest of the hand-helds because of its mere beauty and impressive sound quality. And being the first among the three, the Encore 100 has already impressed a number of people after being put to actually tests, onstage and in the studio.
The phrase “ruggedly constructed” will not give the Encore 100 justice. The first thing that you notice the moment your hold the microphone out of the box is its weight it is not uncomfortably heavy, but is clearly more solid than any other hand-held dynamics available today. Its form perfectly rests in the hand and its slip-resistant feature made it an instant favorite among performers who vigorously sweat onstage.
The Encore 100 is equipped with Blue’s Aria dynamic capsule, an element that is specially tuned for modern audio systems. Unlike other hand-held mics that you see in the market, the Encore 100 offers crisp highs and upper mids without sounding cheap. The capsule’s cardioids pickup patterns offer a good isolation and an admirable feedback rejection feature in a real-world setting. And to make things better, the Encore 100’s proximity effect lets you come closer without sounding dull.
Under acoustic conditions, the Encore 100 provides a remarkable voice articulation without having to make adjustments on your graphic equalizer in your guitar or vocal amp. It flattens the equalizer’s upper midrange and reduces any feedback on the mic while it enhances the sound of your instrument. In the studio on the other hand, the Encore 100 gave a lot of detail to the sound without sacrificing warmth. This only means that the microphone can perform really well in both worlds. It delivers the sound that you want, and so much more.
The Encore 100 gives you nothing but crisp and clear sound on, and off stage. So why settle for anything less? Order the Encore 100 now!
Read more about the Blue Encore 100 Dynamic Vocal Microphone.